The portions that do not use polyphony therefore urge the listener to concentrate on a single melody in the overall texture, rather than on the several layers of sound. Polyphony may dominate an entire musical work, a significant section of a piece, or it may appear for only a short time.įor example, in both of the following excerpts, a section in a more active polyphonic texture is either preceded or followed by one in which the various voices and instruments play in synch with one another. The musical lines in a polyphonic texture may be instrumental or vocal, or both. Polyphony may be likened to a dialogue, a discussion, or even an argument between two or more speakers, all talking concurrently.Īs a result, polyphony may be judged as the most complex of all the musical textures, since it challenges a listener to concentrate on several, equally important layers of sound. But it is the combination of the different strands, all interacting together, that creates polyphony.įig 2: Four independent, simultaneous lines, forming a polyphonic texture. Each of these lines can be thought of as a melody in its own right - one that could be sung, played, or listened to independently of the others. Polyphony is a musical texture that features two or more equally prominent melodic lines played at the same time. In general, you can describe any instrument or arrangement in terms of polyphonic or monophonic.įor example, brass and reed instruments like trumpet or saxophone are monophonic the same way the early Moogs and ARP synths were.Īnd like I explained above, any musical composition has a defined number of voices.A musical texture featuring two or more equally prominent melodic lines played at the same time.įig 1: Baroque orchestra, Nuremburg: Ger. Polyphony is a relevant concept outside the world of synthesis too. Unless you’re using resource-intensive sample libraries or complex instrument patches, you likely won’t run out of polyphony for the majority of your work. Instead, enabling additional voices simply increases the load on your system until you run out of processing power. In your DAW, these devices generally aren’t limited to specific voice counts. The same general concept applies to other instruments like VSTs and samplers. Check out our full breakdown of synthesizer terms to learn more.įor a synth voice to be independent, it needs its own amplifier and filter modules to do the job right. It means they’re capable of playing more than one patch setting with different voices at the same time. Hot tip: Some synths are polyphonic as well as multitimbral. In music production, the word is mostly applied to synths, samplers and VSTs to help you understand the capabilities of an instrument. It developed from the earlier practice of monophony which which meant compositions with only a single melodic line In fact, in early music, polyphony simply meant music that included parts written together in harmony. If the composer includes a separate part for each, you can say the parts are written for four voice polyphony. For example, chorale music is often written for the four standard voice types: bass, tenor, alto and soprano. It comes from musical traditions that date back centuries. The word “voices” is used as a shorthand to refer to an independent line or part. Just don’t confuse the term “voices” with singers-polyphony is a general term that describes how many individual parts are in play at once. It can refer to the distinct parts in a musical composition or the number of voices available in an instrument. Polyphony in music refers to the number of individual voices in a musical texture. In this article I’ll explain the meanings in full and break down what you need to know. So what does polyphonic mean in music and how is it different from monophonic? They can refer to synthesizer types and sound design, but they’re also sometimes used to talk about musical texture in general. Polyphonic and monophonic are two musical terms that you might have heard if you’re new to producing music.
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